چشم دوختن

چشم دوختن
cheshm dukhtan
to stare at / have eyes on (something coveted)
verbB1
Quick Reference
CHESHM-DUKHTAN
to stare at / have eyes on (something coveted)
B1 — Intermediate

What it means

چشم دوختن (cheshm dukhtan) is a compound verb combining چشم (cheshm, eye) and دوختن (dukhtan, to sew or stitch), both pure Persian words. The literal image is of sewing your eyes onto something, as if you cannot pull your gaze away. In practice the phrase means to stare at something fixedly, especially with longing, envy, or strong desire. You stitch your eyes to the object you want. It is neutral in register and works in both formal writing and everyday speech. A related expression is چشم داشتن به (cheshm dâshtan be, to have one’s eyes on or to expect something from), which shares the idea of directing attention with desire but is less visually intense.

How to use it

  • چشمش رو به پنجره دوخته بود و منتظر بود. (cheshmesh ro be panjare dukhte bud o montazer bud.) “She had her eyes fixed on the window and was waiting.”
  • از اول چشمشو به اون زمین دوخته بود. (az avval cheshmesho be un zamin dukhte bud.) “From the start he had his eyes on that land.”
  • بچه‌ها چشماشونو به کیک دوختن. (bachehâ cheshmâshuno be keyk dukhtan.) “The children fixed their eyes on the cake.”
  • چشم دوختن به مال مردم خوب نیست. (cheshm dukhtan be mâl-e mardom khub nist.) “Fixing your eyes on what belongs to others is not good.”

Cultural note

Persian has an unusually rich vocabulary around eyes and gazing, reflecting the cultural importance of the gaze as a carrier of emotion, desire, envy, and spiritual attention. چشم دوختن sits in this tradition alongside expressions like چشم‌زخم (cheshm-zakhm, the evil eye) and چشم داشتن (cheshm dâshtan, to expect or have designs on). The sewing metaphor in دوختن is particularly evocative because it implies that the gaze has physically attached itself, unable to move, which is why the phrase works so well for both longing and covetousness. Classical Persian poets also used eye and needle imagery in love poetry, so the compound verb carries faint literary echoes alongside its everyday use.

References

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