قصیده

قصیده
qasideh
ode; qasida (classical poetic form)
nounC1
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GHASIDEH
ode; qasida (classical poetic form)
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What it means

قصیده (qaside) refers to the qasida, a long formal poem in classical Persian and Arabic literature. The word comes directly from Arabic “qasida,” meaning an intentional or purposeful poem, and entered Persian when Arab-Islamic literary traditions were adopted by Persian poets from roughly the ninth century onward. A qaside is defined by its monorhyme structure: every couplet ends with the same rhyme from beginning to end. Classical Persian poets such as Rudaki, Farrukhi Sistani, Manuchehri, and Anvari were celebrated masters of the form. It is distinct from the غزل (ghazal), which is shorter and typically lyrical or mystical in content, and from the مثنوی (masnavi), which uses sequential paired rhymes for longer narrative poems.

How to use it

  • این شاعر قصیده‌های بلندی سروده. (in shâer qaside-hâ-ye bolandi soroode.) “This poet composed long qasidas.”
  • قصیده‌ی فرخی یکی از بهترین‌هاست. (qaside-ye farrukhi yeki az behtarin-hâst.) “Farrukhi’s qasida is one of the finest.”
  • قصیده با غزل فرق داره. (qaside bâ ghazal farq dâre.) “The qasida is different from the ghazal.”
  • در ادبیات کلاسیک، قصیده برای مدح بود. (dar adabiyyât-e klâsik, qaside barâ-ye madh bud.) “In classical literature, the qasida was used for praise.”

Cultural note

The qaside was the dominant prestige form of Persian court poetry from the tenth through the thirteenth century. Poets attached to royal courts composed qasidas to praise their patrons and secure financial support, a practice known as مدح (madh, panegyric). The form could also be used for religious eulogies, philosophical argument, or satire. After the Mongol invasions and the subsequent shift of literary taste toward mystical and lyric poetry, the ghazal gradually displaced the qaside as the most celebrated form, and today the qaside is studied primarily in classical literature courses rather than actively practiced.

References

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